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| iFani's Image Source: Zikhiphani |
South African rapper iFani, widely known as Mzayifani Mzondeleli Boltina, has recently shared a series of screenshots revealing his persistent attempts to connect with the late PROkid (Linda Mkhize) over a decade ago. These messages, sent between December 2007 and January 2008, serve as a powerful testament to iFani's unwavering determination and offer valuable inspiration to aspiring artists.
The first message, sent on December 6, 2007, at 7:26 PM, showcases iFani's eagerness to collaborate:
"Hola mfana. been looking for ya, I've been cookin somethin, and all I ask is for you to taste it. You can treat this one as one of them crazy fans gettin' in your biz, or you can lend me your ear and at least hear my idea out. Hola if you hear. mzi. -- can't kill a brotha for huslin'. If you do come thru? danki san!"
Undeterred by the lack of response, iFani sent a follow-up message on January 2, 2008, at midnight:
"Hola boss. It's me again. I haven't received any response from you. I'll take it as you haven't read my message yet. It's cool, I'll wait. If you have, give me a word. Whatever it is, e.g., no or get-tha-hell-off or...anything. Sho mpintshi. And yeah, happy new year. Wish you more success this year. Hola."
As time went on, iFani's frustration became apparent in his third message sent on January 17, 2008, at 5:09 PM:
"Hola boss, maybe you don't check Facebook too often or you have a shitload of messages to go through. Either way, I'm still hoping that you'll find one of my messages one of these days... Hola."
These screenshots, shared by iFani on social media, reveal the raw emotions and resilience of a young artist chasing his dreams. Despite not receiving a response from PROkid or experiencing a collaboration with him, iFani's story carries a profound message for aspiring musicians.
"Ifani... Plz bring ifani back, ... We need ifani bro.. le ayfani no ifani. Big ups and God bless 🙏"
Sia Brown Buthelezi shares a different perspective, stating, "😅hhay bafo wena wawungekho serious mos !! This approach is entirely wrong for somebody who needs to be heard!! I see now why most upcoming artists drag other singers' names into the mud!!"
Nhlasquareded Aka Squareded Mhambi empathizes with iFani, saying, "Iyavakala dyani 👊💯 Buh nawe sukwenza lanto yayisenzwa kuwe... atleast mphendule mntu noba awzomnceda but umnike ithemba" (Translation: "It's frustrating, but you also did what was done to you... at least respond to someone even if you can't help them, but give them hope.")
Ncediwe Ndamase appreciates iFani's professionalism, stating, "I like the fact that you were very professional in your approach. Not the 'hi' most managers/artists/promoters get. Yes, he didn't reply, but ndihlonipha isidima nentobeko yakho bhuti. 👊" (Translation: "I respect your dignity and your approach. It's not the casual 'hi' that most managers/artists/promoters receive. Yes, he didn't reply, but I respect your effort, brother.")
Leon-Lee Andile Madolo suggests a different perspective, saying, "Yet situations don't need to be the same; responding to someone's request is very important when you have time. I'm not sure about the depth of your relationship then with him, but if you were both strangers to each other, your tone or writing would have been more polite and professional than what I just read. You can't 'holla' at me if we don't know each other and you want my attention. That's my take."
Other comments include those from Buda Keen, Rhulani Chabangu, Malume Gee, Mazizandile Mooi, and Sonwabo Sobz Ndabakayise, expressing mixed opinions about iFani's approach and the importance of professional communication.
These diverse reactions highlight the range of perspectives within the fan base, with some expressing unwavering support for iFani's return to the music scene, while others offer constructive criticism regarding his approach and the importance of professional communication.
iFani's persistence, despite the lack of response from PROkid, serves as an inspiration for young musicians who may encounter similar challenges. It reinforces the notion that success in the music industry is not solely dependent on one person's validation or collaboration but on an artist's dedication, hard work, and unwavering belief in their own talent.
As the music industry continues to evolve, iFani's story serves as a reminder to aspiring artists that setbacks and unanswered messages should not deter them from pursuing their dreams. It is a call to embrace their own unique paths, work tirelessly, and seize opportunities that come their way, whether or not they receive a response from established artists or celebrities. The journey towards success is a personal one, and with determination, talent, and perseverance, young musicians can carve their own path to greatness.
